The Fabletop Campaign Reboot, Session 1

A long time ago, I decided to get serious in doing a campaign for a game called Fabletop, a virtual tabletop that uses its own built-in universal RPG system. However, the site I published it on no longer has any sort of functionality. So, I decided to reboot the Fabletop Campaign for this blog.

We’ll start in a tavern where we’re introduced to our protagonist, Red the Rogue. Character creation is rather easy since you just select what sort of class and feel of the character you want to make.

Anyways, the tavern has four different people. Two guards, a drunk, and a bartender.

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Mortzes And Ricksters Part 2: It’s A Far Out Game

Alright, in this post, we’ll try to finish the dungeon featured in the Rick and Morty D&D Game: The Lost Dungeon of Rickedness. When we last left off our heroes, they had just resolved a conflict between people with asses and people without asses. Like that Dr. Seuss book on crack. And now, we continue onwards.

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Mortzes and Ricksters

Stranger Things wasn’t the only franchise to get the D&D crossover treatment. In the exact same year, we would get a second crossover starter box, this time focusing on the Rick and Morty series. The difference between the two boxed sets are night and day, and that’s going beyond the obvious fact that the two shows are of different tones.

Stranger Things’ Boxed Set gives you a rather cut and paste recreation of the Player’s Handbook from the previous starter box. It’s mini-adventure did a little better at tying to the source material beyond just including the Upside Down and the Demogorgon by including plot elements from the in-universe campaign and piecing together what they think the adventure was.

Rick and Morty, however, has its signature, cynical humor written throughout the entire box as Rick riffs on the normal Player’s Handbook. Obviously, whoever made this knows that there’s already three starter boxes that have a player’s handbook (The first one with the Lost Mine, Stranger Things, and Essentials Kit) and decided “Okay, I doubt anyone’s gonna buy this as their first product in D&D so I might as well have some fun!”

Hell, the writing is so authentically Rick that I’d be surprised if it was one of the writers of the actual show behind the pen. This is made all the more hilarious because instead of just screenshots from the show, the images are drawn comic panels with jokes relevant to the topic they’re attached to. Honestly, it’s worth hunting down a copy just for this alone if you’re a big fan of either Rick and Morty or comedy in general.

Another major difference is that whereas Stranger Things was primarily a short, one-shot adventure not unlike the ones you’d see for D&D Encounters, the Rick and Morty spin-off has an entire dungeon, filled with 40 rooms for the party to explore, making it more akin to something like Dungeon of the Mad Mage than, say, Dragon Heist.

But you want me to get to the part where I play a game and make up a story with the assistance of dice tables that determine yes or no questions and occasionally create plot twists. Well, before we do so, allow me to establish some backstory for these characters since the game, still being written in the humor of Rick and Morty, throws us into a dungeon with nary any detail in contrast to the Stranger Things crossover where we have a bit of backstory as to why we’re hunting the Thessalhydra.

  • Ari Strongbow lost her brother to a raid by Orcs and wants revenge. Her mentor and father figure, Kiir Bravan, sticks with her because he believes she might go down a dark path.
  • Keth Silverson was an orphan who steals everything from everyone. Lyan Amaranthia, instead of arresting him for a bounty, chooses to instead take him in and teach him how to live his best life.
  • Matthias Fabian was a prince of the Fabian Family before a curse placed on him by the Colonel turned his family into mindless barbarians. Matthias survived the bloodbath, but escaped with his mind scathed, now being only known as Meatface.
  • Kiir met up with Lyan and the two pairs became one as Lyan put her faith in the wizard father figure. Ari, while the appearance of Keth reminded her of the raid, also reminded him of her brother and decided to treat him as though he were her brother. Meatface just joined because they were gonna smash heads in.

And now, we can begin. Now, the module gives us a rather elaborate dungeon done in the classic blue and white color scheme commonly associated with old D&D maps. Fun fact: the reason they were blue is to prevent photocopying back then. However, it’s more of a layout. Most of the rooms are vacant appearance wise save for a few that have evocative designs.

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The Voyager Hunts For The Thessalhydra

Happy April, everyone. Today, I’m going to be doing something special. The D&D Adventure I’ll be playing, Hunt for the Thessalhydra, seemed to have been written in a notebook and then published by Hasbro Gaming, presumably cleaning up and digitizing the text that was written into the notebook, though keeping some pretty nice drawings done by someone named “Will the Wise”. The aesthetic is interesting enough for me to play it, so that’s what we’re going to do today.

There’s five premade characters I’ll be using. Let’s get an introduction to them, shall we?

  • Adam, a Half-Elf Wizard who is devoted to a god despite not being a cleric. I would assume that, with Elama, a Wood Elf Cleric, took him in as her own (right down to getting a trait from her known as Mask of the Wild) where they worship the deity known as Naralis Analor.
  • Baggi, a Half-Orc Ranger who has explored the far reaches of the realm with her companion Cadman, a Human Paladin who doubles as a mercenary.
  • And lastly, Dain, who is a Dwarf Bard who just wants to entertain.

This will be an interesting game and the notes from the adventure creator, Mike Wheeler, gives some nice advice about DMing a game. While it’s indicating that these are notes for himself, the way it’s all described, it feels more like the standard advice you’d get from a starter’s box… Strange.

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Biopunk 2040

The normal approach I take when playing my own custom rules is that I translate another game’s rules for the express purpose of either simplifying it or because there was something I could use from the game.

So far, I’ve done this with three games: Scalemail, which was a simplification of Chainmail, Yurei World, which was my attempt at extending After School Curse Club, and lastly Winter’s Duty, which was an expansion of the original game Winter.

However, the game I’m playing today, 2040, was a game I made as part of a game jam and not out of a desire to clone and change up a previous game. It was a sort of challenge that I ended up achieving at and I feel like a good test of the game will work.

One of the charms for the 24XX system is that you can easily generate a character and story at random. In this case, it’ll take a lot of die rolls. But first, allow me to sell you the setting:

The year is 2040. Mankind discovered a means to artificially extend their lives with man-made organs known as Augments. However, with this came the need to monetise and soon, companies made it so that the Augments are on a “pay-per-month” basis and that missing out on a payment will get the organs repossessed, regardless of if they were keeping the person alive.

If you find this familiar, that’s because I based the premise off of Repo Men and Repo! The Genetic Opera, which both involved artificial organs that would get repossessed. The difference is that with this setting, players take the role of people who either went without Augments or actively refused to pay for them. In other words, they’re out of the system and are free agents, which ties into 24XX’s “job of the week” style gameplay, though there is the backdoor for a campaign about taking down the system should the GM decide to expand upon that.

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Star Crossed Lovers

It is Valentine’s Day once more and, as per tradition, I will be playing a romantic RPG. This time, it will be Star Crossed (it’s also on itch.io), a game that… uses… Jenga…

Oh boy.

For those who don’t know, I had experimented with a Jenga-based RPG before, and for reasons stated in that post, I elected to make a system that uses no Jenga tower… to great failure. In hindsight, what I realized was that you need to weight the answers as you would the tower. It’s not likely to fall down if the structure was sturdy.

One idea to handle this problem was to use Tabletop Simulator and use a workshop file that plays Jenga. Problem is that the version I got just had a bunch of towers and if you wanted to make one yourself, you’d have to import the small block one by one.

An easier solution comes from Speak the Sky, which doesn’t sound as easy, as you would need one hundred d6s and remove the ones that rolled ones. However, with the advent of online dice rollers like Roll20 and Foundry (okay, technically they’re more than just that, but still), it’s more or less achievable. There is a snag though. How would one be able to count the 1s?

Thankfully, there’s a solution I have. /roll 100d6>1f1. This will count remove all 1s from the check and tell you how many d6s to roll for the next pull. This is going to be as experimental as the Mythic Dread idea, but I’m willing to put faith in something that has been discussed with tons of line graphs and has its own dice roller programmed in, with thanks going to Max Kämmerer for the latter.

However, for the sake of note taking, I’ll be using Roll20 (since it will keep the information of how many dice that I have left should I put the game on pause for whatever reason) for the time being… Now for everything else.

I’ll be honest, I have no idea what scenario I want to play out with this. Other Valentine’s Day games I had either had pre-set scenarios or, in the rare case, I already had a scenario thought out. This, however, I have nothing. However, I have a few ideas meted out thanks in part to the images and examples.

One of the examples has a relationship between an Imperial Vizier and a Galactic Empress while one of the art pieces has an astronaut hook up with a centaur. This caused an idea to be born in my head: Basically, what if Avatar (the movie, not the cartoon) was more of a space opera mashed up with Lord of the Rings?

The Vizier idea had me think back to the Reylo ship, a pairing between the protagonist of the Star Wars sequel Trilogy, Rey, and her main rival in those movies, Kylo Ren. The idea is that the Lead will be someone akin to a Kylo Ren, assigned to a distant planet to keep an eye on and see if it’s deemed worthy for its induction into the Empire. Said planet is stuck in ye old fantasy times and the representative who would be guiding this guy through the planet is an elf lady.

The problem is that, throughout his stay at the planet, he’s grown attached to his tour guide. The guide, similarly, seems to like his presence a little more than one would have for their tourist. One of the major rules when it comes to judging planets is to avoid any bias. As such, should word go out that the two had a fling, accusations that she slept with him to get a favorable result will flood forth and put both their lives at risk.

So, we now have the reason they’re together, what is pushing them towards each other and why they can’t just make out.

Another two things to finalize is who the “partner” will be as well as implementing the X-Card mechanic. I established this before, so I’ll put my mechanic forward while I’ll use the UNE/BOLD/CRGE system for any interactions with the Lead. The reason I pick this is because the Lead decides how a scene begins and what better scene setter than an Emulator?

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Storyline: The Witch’s Downfall

For Halloween, I’m going to play the Scary Tales variant of Storyline. Spooky, I know. Before we begin this session, however, we have some new tokens that are different from the old tokens, so, I’ll break down the rules for those:

  • The Grave: This character is already dead. Introduce them as a posthumous character like a ghost.
  • The Magic Hat: This character knows magic.
  • The Rose: This NPC also has a [Place], [Action], or [Object]. Counts as a 2.
  • The Bones: This character is doomed to die. Their death is mandatory for the story to conclude. Counts as a 3.

With that out of the way, let us begin the Scary Storyline.

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How I Use CRGE Kai

This is going to explain how I use my go-to engine: CRGE-Kai.

Really, it’s just CRGE, but with Mythic and Ursa Minor attached, but I feel as though I should bring up how the process of how this works in this post so we’re all on the same page.

So, the game begins with the three factors set up: Chaos, Surge, and Turmoil. Chaos is Mythic’s Factor where it changes depending on how in control things are. Surge is CRGE’s Factor where it tracks how many vanilla Yes/No questions are asked, so as to swing the next question asked to a spicier result. And Turmoil is Ursa Minor’s Factor where it tracks uncertainty.

To give an example, the game starts at a Chaos Factor of 5, a Surge Factor of 0, and a Turmoil Factor of 2. The scene ends with the hero attracting a lot of unwanted attention from villagers and townsguard, but otherwise had the situation under control. There were also quite a lot of Yes/No answers that were vanilla, and, as a result, the Chaos Factor goes down to 4, Surge Factor goes up to 3 (as there were three vanilla yesses in a row), and the Turmoil Factor goes up to 4.

For the most part, CRGE answers the questions. When a double is rolled, either naturally or if with modifiers added, it triggers a random event, which Mythic handles. Modifiers are basically either the Surge Factor and the “odds”, which are modifiers of increments of 5 depending on how high those odds are. For example, “Has To Be” and “Impossible” are a 25 and a -25 respectively, while “Likely” and “Unlikely” are 10 and -10.

Ursa Minor activates when I either need to use something that makes long processes that require multiple rolls (i.e. combat or travel) into one single roll or when I roll an altered scene. Usually I don’t have a good idea for altered scenes, so I instead see if it triggers an incident from Ursa Minor, to which I use the incident rolls.

And… That’s roughly it. It’s simple, but at first glance, it’s understandably complex.

Storyline: The Cat and the Hen

We’re finally gonna play Storyline after about eight months… Life can be difficult sometimes.

Using the rules I discussed earlier, I will test out how the rules apply. Any tweaks will go into a later game I will play for Halloween.

The first thing I notice is that there’s two Stories to play out, as indicated by the unique backs and the numbers that dictate a set progress. I also have limited table space, so this will be a bit awkward. I will be using CRGE-Kai for these games.

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Ravenloft, Chapter 1: The Executioner

So, a long while ago, I statted up a D&D character and had a decent campaign ahead of him. Now, allow me to return and give him the full treatment he deserves. His very own Ravenloft campaign. Not only that, but Philip is also getting played on Foundry, a program I had taken a look at, so that’ll be an interesting way to see how the game unfolds. This will be a review for how Foundry plays compared to Astral.

To briefly recap on his backstory: Philip is a druid who took on a job that ended in a werewolf being lynched by a xenophobic Burgomaster and Philip plots to kill him in revenge. He also recently pissed off some cultists after mucking about in one of their HQs, a house they turned into a death trap.

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